“Stop cuddling that smelly baby! She’s sick.” Hla has a tough love approach to midwifery.

Two expat Ghanaians meet in London, one takes a photo of the other and they have a conversation. Doesn’t sound like much of a play. But Drum is a delight

Shakespeare’s 10 “history plays” are part of Britain’s school syllabus: the 1947 Partition of India isn’t. It should be.

“Chasing Hares is a love letter to all of the organisers, activists and dreamers”, says playwright Sonali Bhattacharyya.

The “content advice” for The Darkest Part of The Night lists “Death of a parent, racial discrimination, police brutality/violence, poverty, structural oppression, ableism, detailed medical talk, mild sexual references, domestic violence, mental healthcare system.” It’s actually about love.

Migration dramas - particularly first-generation questioning of their parents’ attitudes - are a rich vein in London theatres.

A second explosion of African colour and creativity is lighting up London, as Africa Fashion at the V&A joins In The Black Fantastic at the Hayward Gallery.

There’s no escaping race in The Fellowship, a drama about three generations of a British Caribbean family.

Enter the Hayward Gallery and be hit by an explosion of colour, fantasy, imagination, masquerade, exuberance and weirdness. It’s a joy.

No Particular Order is a 90-minute play that covers a lot of ground: 30 years in the first part, 300 years between parts two and three. And the final few minutes take place on a spaceship.

The title says it all: Two Palestinians Go Dogging.

House of Ife at the Bush Theatre crackles with energy, snappy dialogue and excellent acting. as it puts an Ethiopian-British spin on first-generation migrant tropes.

The title, Marys Seacole, tells you this isn’t going to be a straightforward biography of the Jamaican nurse and entrepreneur who set up the British Hotel behind the lines in the Crimean War in the 1850s.

Project Dictator is a “clown show about authoritarianism”. That’s a bold ambition, but amazingly it works.

Life Between Islands: Caribbean-British Art 1950s-Now: an overdue and powerful exhibition.

Here’s another way of tackling insularity or xenophobia in Britain.

‘Eternal Spring’ is a documentary about an ambitious and daring plan to hack into Chinese TV news and broadcast a subversive spiritual message to millions of viewers.

Another wave, another film about female surfers and, like all the others, ‘Bangla Surf Girls’ is fascinating because it’s about sexism.