Many migration films focus on the generation gap between the original immigrants and their British offspring. Farewell Amor adds a variation: the gap between a long-settled arrival and the left-behind spouse.

Second generation migrants who adopt the mores – and often the music – of the country of their birth, to the disapproval and consternation of their bewildered parents, is a well-worn film theme. Mogul Mowgli has enough energy and drama to inject a fresh, urgent voice into the concept.

The trial of the Mangrove 9 is a key moment in Black British history, and of the push-back against institutional White British racism. Yet it’s largely forgotten.

Lazy and dishonest lawyers, a couldn’t-care-less Home Office, school racism, inadequate jobs – most refugees and many migrants will recognise elements of Inua Ellams’ story.

One of the hardest tasks in staging a large season such as ‘Refugees’ at the Imperial War Museum is ensuring that it is not outdated by events.

Missing out on going home or holidaying in Africa, Asia or Latin America? Try a trip to Kew Gardens instead.

Daisy Cutter, Little Boy, Fat Man, Spice: the nicknames sound friendly, affectionate. But they refer to aerial bombs and missiles.

So much of what’s happening in Africa is hidden from us, but the work of Collin Sekajugo – born in Uganda, brought up in Kenya, living in Rwanda – is hidden in plain sight.

“Everything you are about to see is word for word from deportees, politicians or an ICE officer (who we couldn’t resist spicing up a little bit.”)

The first characters in 'The High Table' are Yoruba Ancestors on the North Star, On the edge of the Present.

'When Lions Become Lambs' is a film about elephants - from the opposing viewpoints of poachers and rangers. Specifically, ivory poaching in Kenya.